1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:30,498 --> 00:00:32,666 Good evening, ladies and gentlemen, 4 00:00:32,700 --> 00:00:35,336 We would like to remind you that the taking of photographs, 5 00:00:35,369 --> 00:00:37,505 or the use of recording devices, 6 00:00:37,538 --> 00:00:41,642 is prohibited and is hazardous to the performers. 7 00:00:41,675 --> 00:00:45,113 Please turn off all cell phones and pagers at this time, 8 00:00:45,146 --> 00:00:46,714 Thank you, and enjoy the performance. 9 00:00:49,550 --> 00:00:51,185 (MUSIC PLAYING) 10 00:04:30,338 --> 00:04:32,406 That's my little soap opera, 11 00:04:32,440 --> 00:04:36,076 the soap opera is when I asked him onstage if he's been dating her. 12 00:04:36,109 --> 00:04:37,611 and he's like, Shut up. 13 00:04:37,645 --> 00:04:38,879 -Get out of here. -No, I'm serious. 14 00:04:38,912 --> 00:04:40,514 It's too much drama. 15 00:04:40,548 --> 00:04:42,082 -More than what it's worth. -I know, he was pissed. 16 00:04:42,115 --> 00:04:43,451 -Yeah I know, it's true. -We'll see you in class. 17 00:04:44,885 --> 00:04:48,389 I heard she said, 'So how long you been fucking her? ' 18 00:04:48,422 --> 00:04:50,758 (BOTH LAUGHING) 19 00:04:50,791 --> 00:04:54,395 -We need to talk. -Ry? Come on, don't be ridiculous. 20 00:05:39,907 --> 00:05:41,642 Good morning. 21 00:05:48,782 --> 00:05:50,484 Who's teaching today? 22 00:05:50,518 --> 00:05:52,520 -Mark. -Mark! 23 00:05:59,927 --> 00:06:02,496 -Mind if I share this with you? -Yeah. Sure. 24 00:06:41,769 --> 00:06:44,037 Mr. A, I wanted to talk to you about Ry. 25 00:06:44,071 --> 00:06:45,506 I'm having a couple of issues with her, 26 00:06:45,539 --> 00:06:47,841 and I was wondering if we Could you just pair her up with somebody else? 27 00:06:47,875 --> 00:06:50,010 -Who are we talking about? -Loretta Ryan, Ry. 28 00:06:50,043 --> 00:06:52,646 -Oh, Ry. -Yes. 29 00:06:52,680 --> 00:06:56,784 -Things aren't going smooth and I was just wondering... -I thought you two guys were. 30 00:06:56,817 --> 00:07:00,654 Well, I kind of want to Leave that part out of it and stick with the dancing. 31 00:07:00,688 --> 00:07:04,692 Well hey, You'd like to sit in this chair? You could run the company. 32 00:07:04,725 --> 00:07:05,459 No, I'll stick with the dancing. 33 00:07:07,761 --> 00:07:12,933 -Who's next, Cammie? -We have... 34 00:07:12,966 --> 00:07:16,537 Good morning everyone, There's no announcements, so let's start with plies. 35 00:07:16,570 --> 00:07:18,606 Left hand on the barre, second position. 36 00:07:20,173 --> 00:07:22,743 Ready, Paul? And... 37 00:07:22,776 --> 00:07:23,577 (MUSIC STARTS) 38 00:07:28,682 --> 00:07:30,450 Good. A one... 39 00:07:32,586 --> 00:07:33,621 Good. 40 00:07:37,190 --> 00:07:39,059 Drop the chin. Take the head... 41 00:07:43,664 --> 00:07:45,633 One, two, three, grand plie. 42 00:07:48,536 --> 00:07:50,538 -That's my spot. -Sorry. 43 00:07:52,105 --> 00:07:53,774 Stretching to the bar... 44 00:07:53,807 --> 00:07:56,009 Would you mind standing over there. Thank you. 45 00:07:58,278 --> 00:08:00,213 Forward, one... 46 00:08:12,225 --> 00:08:13,727 Up to go back... 47 00:08:19,032 --> 00:08:20,233 And demi... 48 00:08:22,803 --> 00:08:25,539 Tondue, close arms and legs together. 49 00:08:26,607 --> 00:08:28,041 Good. A one, two... 50 00:08:34,147 --> 00:08:35,616 Drop the chin... 51 00:08:42,155 --> 00:08:44,592 And drop your tailbone. Good. 52 00:08:48,696 --> 00:08:53,133 And stretch to the bar. Good. 53 00:08:53,166 --> 00:08:57,237 Do you know how long this company has waited for a Lar Lubovitch ballet? 54 00:08:57,270 --> 00:08:59,573 I'm glad to hear that. Thank you. 55 00:08:59,607 --> 00:09:03,744 -Mr. A is very grateful to you. -I'm grateful to be here. 56 00:09:03,777 --> 00:09:08,248 Please say hello for me. I'll try to drop in and see him later. 57 00:09:08,281 --> 00:09:12,686 Good morning. Is Alec here? Alec have you warmed up? 58 00:09:12,720 --> 00:09:14,287 You're warm enough for lifting? 59 00:09:14,321 --> 00:09:16,256 Absolutely. 60 00:09:16,289 --> 00:09:19,292 Then let's start from the first lift after the solo, Maia. 61 00:09:19,326 --> 00:09:21,995 We'll get back to it after Alec is gone. 62 00:09:22,029 --> 00:09:24,632 Let's see what you've got and then we'll just work on, 63 00:09:24,665 --> 00:09:27,801 work on tweaking the fine points, 64 00:09:27,835 --> 00:09:29,236 A little further over from center, 65 00:09:29,269 --> 00:09:33,173 Paul if you'll play the two little matched intro bars to the first lift. 66 00:09:33,206 --> 00:09:35,609 I believe that's marked in the score. Ready? 67 00:09:36,744 --> 00:09:37,745 (MUSIC STARTS) 68 00:09:46,019 --> 00:09:49,322 -And let's stop. -I didn't let you get very far. 69 00:09:49,356 --> 00:09:54,394 You're overworking that position, little more subtle not so high in the knees. 70 00:09:54,427 --> 00:09:58,231 A little bit more hung, mostly along the shoulders, it displays. 71 00:09:59,733 --> 00:10:01,234 Probably not so much in the face, 72 00:10:01,268 --> 00:10:03,336 It's beautifully expressive in the face, the way you do it, 73 00:10:03,370 --> 00:10:06,640 But let's make it work in the body first and then we'll work our way up okay? 74 00:10:07,741 --> 00:10:08,776 Once more. 75 00:10:10,077 --> 00:10:10,878 (MUSIC PLAYS) 76 00:10:19,920 --> 00:10:20,821 Good. 77 00:10:30,898 --> 00:10:32,332 And up. 78 00:10:39,940 --> 00:10:42,943 And stop please. Are you working injured? 79 00:10:44,244 --> 00:10:45,779 I have a neck spasm. 80 00:10:48,982 --> 00:10:53,186 I don't think you should work injured, why don't you mark in the back. 81 00:10:53,220 --> 00:10:54,955 let's see what happens, you should rest a little bit, 82 00:10:54,988 --> 00:10:57,190 take it easy, we'll pick this up tomorrow. 83 00:10:57,224 --> 00:11:00,227 -It should be fine. -Okay, I'm sure it wil be. 84 00:11:00,260 --> 00:11:02,329 I'm afraid I have to ask you your name. 85 00:11:02,362 --> 00:11:04,031 -Ry. -Ry. 86 00:11:04,064 --> 00:11:05,132 -Domingo. -Domingo. 87 00:11:05,165 --> 00:11:08,902 -Is Ry short for something? -Ryan. 88 00:11:08,936 --> 00:11:11,438 Nice name. Have you been watching this? 89 00:11:11,471 --> 00:11:13,106 -So you kind of know it? -Yeah. 90 00:11:13,140 --> 00:11:17,077 Well, let's see what you've got, Domingo and Ryan. 91 00:11:17,110 --> 00:11:19,880 Same process, with music just before the lift. Let's see. 92 00:11:27,254 --> 00:11:31,792 And up. Up one piece. Good, Domingo. 93 00:11:31,825 --> 00:11:33,393 Melt. Music. 94 00:11:45,338 --> 00:11:48,341 Lift, contretemps... 95 00:11:48,375 --> 00:11:51,745 Swing, up and down... 96 00:11:56,083 --> 00:11:59,319 Let's stop there. Good. You have been watching. 97 00:11:59,352 --> 00:12:01,054 Well you know how we feel about you, Deborah, 98 00:12:01,088 --> 00:12:04,091 How much we respect you as an artist and senior dancer, 99 00:12:04,124 --> 00:12:07,795 but we wanted to talk with you today about class. 100 00:12:07,828 --> 00:12:10,764 We'd like you to be an example to the apprentices and the new dancers. 101 00:12:10,798 --> 00:12:12,800 And usually you are. 102 00:12:12,833 --> 00:12:14,501 But if you change combinations they think they can change too. 103 00:12:14,534 --> 00:12:17,237 But I only change the combinations at the barre. 104 00:12:17,270 --> 00:12:20,140 -They look everything you do, you're such an example... -I know. 105 00:12:20,173 --> 00:12:22,876 But I'm 43 years old, 106 00:12:22,910 --> 00:12:26,179 and when it comes to centre, rehearsal and performance I do what I'm told to do. 107 00:12:26,213 --> 00:12:29,850 -You could come in early... -Let her do what she has to do. 108 00:12:29,883 --> 00:12:32,820 Remember we had that girl that used to come in an hour beforehand? 109 00:12:32,853 --> 00:12:34,988 She's not doing the roles that I... 110 00:12:35,022 --> 00:12:37,357 But look at Margot Fonteyn, what an example he was. 111 00:12:37,390 --> 00:12:41,561 Margot Fonteyn, you know Robert knew her very well. 112 00:12:41,594 --> 00:12:45,565 I knew her too but not as well as Robert, we hear you. 113 00:12:45,598 --> 00:12:48,568 You know, she was a dame. 114 00:12:48,601 --> 00:12:51,438 Deborah, do you have anything else you want to talk about before we finish? 115 00:12:51,471 --> 00:12:53,807 Now's the time. 116 00:12:53,841 --> 00:12:57,410 Actually I'd like to talk about the ballet Light Rain. 117 00:12:57,444 --> 00:13:02,149 It's a great ballet, but I feel some of the footwork is too fast. 118 00:13:02,182 --> 00:13:06,119 -Like the jete, jete, step... -So you don't want to be in at all? 119 00:13:06,153 --> 00:13:09,389 Well, it's just that I look like I'm working in it. 120 00:13:09,422 --> 00:13:12,159 -Deborah, we hear you doll. -We just wanted you to be first. 121 00:13:12,192 --> 00:13:14,494 Thank you. And I feel honored. 122 00:13:14,527 --> 00:13:16,196 Okay, thank you. 123 00:13:16,229 --> 00:13:17,865 Edouard, door. 124 00:13:20,100 --> 00:13:21,534 Where'd you get this salad? It's terrible. 125 00:13:22,335 --> 00:13:23,803 Who can do it? 126 00:13:25,038 --> 00:13:26,239 (MUSIC PLAYING 127 00:16:27,754 --> 00:16:31,491 Watch on walking lady lift, the position of his arms and also that 128 00:16:31,524 --> 00:16:35,028 she's not horizontal to the floor, they may not be doing it perfectly. 129 00:16:37,430 --> 00:16:39,166 This is the danger point for you. 130 00:16:39,199 --> 00:16:41,601 Don't let that leg bobble, when you come down. 131 00:16:43,536 --> 00:16:46,039 Why don't we try that. Okay? 132 00:16:46,073 --> 00:16:48,508 Try without music. 133 00:16:48,541 --> 00:16:51,044 Let's just do a little Ronde de jambe preparation, for the walking lady lift, 134 00:16:53,180 --> 00:16:59,052 And attitude, And ronde de jambe... 135 00:16:59,086 --> 00:17:03,790 And up, more fragile in the legs. Whoops. 136 00:17:03,823 --> 00:17:06,059 Now, okay, it's okay. 137 00:17:06,093 --> 00:17:09,362 Alec, can you give us a hand? Have you been watching this lift? 138 00:17:09,396 --> 00:17:11,498 Can you show us how you would hold her, 139 00:17:11,531 --> 00:17:14,101 The objective is to get her a bit removed from your body, 140 00:17:14,134 --> 00:17:15,802 so she appears detached, 141 00:17:15,835 --> 00:17:19,639 and at a bit of a diagonal rather than parallel to the floor. 142 00:17:19,672 --> 00:17:21,374 Let me see how you would hold her to accomplish that. 143 00:17:23,410 --> 00:17:26,113 -If you stayed to the side... -Fairly lower on her hip. 144 00:17:28,848 --> 00:17:31,318 Good, good, good. 145 00:17:31,351 --> 00:17:33,253 You know what the difference is? 146 00:17:33,286 --> 00:17:37,557 He's locking his elbow in here, so it's not slipping back, 147 00:17:37,590 --> 00:17:41,361 try with music and then go past that, and we'll see what we've got. 148 00:17:41,394 --> 00:17:43,596 Mark, you're going to work with Amanda and Willy. 149 00:17:43,630 --> 00:17:46,065 And I would like to have the four ladies over here. 150 00:17:49,569 --> 00:17:50,903 Alright, Mark. 151 00:17:50,937 --> 00:17:54,307 So everyone, We're getting ready to start from the fourth movement... 152 00:17:54,341 --> 00:17:55,608 Take your places please. 153 00:17:57,644 --> 00:18:00,447 Wait a minute, wait a minute. 154 00:18:00,480 --> 00:18:05,318 Company, just move all this crap, from the wings here, You're going to trip over. 155 00:18:05,352 --> 00:18:07,587 Now, come on, let's do it. 156 00:18:07,620 --> 00:18:09,756 Every time we tell you this. 157 00:18:09,789 --> 00:18:12,159 Don't leave your stuff by the side of the stage. 158 00:18:12,192 --> 00:18:15,828 Mark, you know we can't start with all this clutter. 159 00:18:15,862 --> 00:18:17,764 I know. We told them right before this rehearsal... 160 00:18:17,797 --> 00:18:22,269 Well you know... If somebody falls over... 161 00:18:22,302 --> 00:18:25,372 Ok, Cammie we're ready. Everyone, places please. 162 00:18:25,405 --> 00:18:28,408 Michael, when you're ready. Two men, you're ready? 163 00:18:28,441 --> 00:18:29,342 Here we go. 164 00:18:31,178 --> 00:18:32,179 (MUSIC PLAYS) 165 00:18:39,686 --> 00:18:40,587 Sharp jump... 166 00:18:42,189 --> 00:18:43,856 Good, you guys. 167 00:18:43,890 --> 00:18:46,593 Tell him to stretch his foot. 168 00:18:46,626 --> 00:18:48,728 All the way in the wings. Good, you guys. 169 00:18:48,761 --> 00:18:50,397 Stretch the knees. 170 00:18:52,499 --> 00:18:55,902 Exit all the way. Good. 171 00:18:55,935 --> 00:18:58,238 Right on the music. 172 00:19:17,657 --> 00:19:19,192 Good, Suzanne. 173 00:19:19,226 --> 00:19:21,894 -Suzanne's gotten very strong. -Excellent. 174 00:19:29,436 --> 00:19:30,370 Good, Calvin. 175 00:19:32,772 --> 00:19:34,173 He's come along beautifully. 176 00:19:37,677 --> 00:19:39,779 We have to work on that double knee saut de basque. 177 00:19:50,423 --> 00:19:53,360 Tell Noel to burst from the wings on her saute. 178 00:19:56,263 --> 00:19:57,564 Good ladies! 179 00:20:00,767 --> 00:20:03,903 Hold it a minute. Hold it a minute. 180 00:20:03,936 --> 00:20:07,907 What happened? I mean, you're all so pretty. 181 00:20:07,940 --> 00:20:10,277 You know how I hate pretty! 182 00:20:10,310 --> 00:20:12,812 Now come on. Lift, thighs, 183 00:20:12,845 --> 00:20:15,582 Lift up, not so loady. 184 00:20:15,615 --> 00:20:18,985 And when you make those exits hit the wall. 185 00:20:19,018 --> 00:20:21,788 I want you to move out and hit the wall, 186 00:20:21,821 --> 00:20:24,324 You're not doing that. You look like you've got a load in your pants. 187 00:20:26,058 --> 00:20:29,262 But I love you all. You're great. Come on. 188 00:20:30,830 --> 00:20:32,432 (MUSIC PLAYING) 189 00:22:19,606 --> 00:22:21,508 -Oh my God, a storm. -I think it's just the wind. 190 00:22:24,911 --> 00:22:27,514 Have a good time. Most importantly enjoy it. Ok? 191 00:22:28,415 --> 00:22:29,482 Merde. 192 00:22:29,516 --> 00:22:31,050 And main curtain... 193 00:22:32,985 --> 00:22:34,120 Go! 194 00:22:38,157 --> 00:22:41,528 Follow spot one on the girl. Nice and easy, follow spot. 195 00:22:43,796 --> 00:22:44,764 Sound. 196 00:25:29,161 --> 00:25:31,764 Can you watch this leg for me? 197 00:25:31,798 --> 00:25:33,299 Careful, keep that from flopping down. 198 00:26:07,333 --> 00:26:10,903 Char, you better go back and see what's happening. 199 00:26:10,937 --> 00:26:12,839 If there's any water on the stage, 200 00:26:12,872 --> 00:26:15,141 I want you to cancel the performance right now. 201 00:26:20,179 --> 00:26:21,313 Hurry up. 202 00:27:04,023 --> 00:27:05,057 What did they say? 203 00:27:05,091 --> 00:27:07,894 The floor is dry, Michael's got it under control. 204 00:27:07,927 --> 00:27:11,130 -It's a little chilly. -Good, she's doing brilliantly. 205 00:28:08,788 --> 00:28:10,322 (CROWD CHEERING) 206 00:28:32,779 --> 00:28:34,380 -That was so good. -Thank you. 207 00:28:34,413 --> 00:28:35,815 That was so good, Domingo. 208 00:28:39,351 --> 00:28:40,753 Are you coming back? 209 00:28:45,057 --> 00:28:48,394 Domingo. The hero of the moment. 210 00:28:48,427 --> 00:28:51,898 What a courageous performance. Scenery by Mother Nature. 211 00:28:54,366 --> 00:28:56,335 I don't believe you. 212 00:28:56,368 --> 00:28:59,371 -I'm Ryan's mother, Marilyn. -You should be so proud. 213 00:28:59,405 --> 00:29:02,141 Thank you for that beautiful ballet, my daughter was the dancer. 214 00:29:02,174 --> 00:29:03,742 -Lar. -Alberto! 215 00:29:05,812 --> 00:29:10,082 Brilliant, you were magnificent, did you organize that storm? 216 00:29:10,116 --> 00:29:12,919 Domingo. Fantastic. 217 00:29:14,520 --> 00:29:16,388 Hi, Dad. How you doing? 218 00:29:20,159 --> 00:29:22,394 -You were beautiful. -Thank you. 219 00:29:22,428 --> 00:29:24,130 Hi, mom. 220 00:29:24,163 --> 00:29:26,432 I want to invite you to come and do a piece next season. 221 00:29:26,465 --> 00:29:29,235 -I have to speak to Mr. A. -Now where is she? 222 00:29:29,268 --> 00:29:32,104 Oh baby. Give me a hug. 223 00:29:36,108 --> 00:29:39,912 I'm watching you saying, Who is that up there? Didn't I say that? 224 00:29:39,946 --> 00:29:43,515 I've always believed in you even when others weren't so sure. 225 00:29:43,549 --> 00:29:45,885 -But always. -But tonight... 226 00:29:45,918 --> 00:29:50,056 You went to another dimension. And the storm, the storm! 227 00:29:50,089 --> 00:29:53,893 -Wasn't that crazy? -It was so theatrical. 228 00:29:53,926 --> 00:29:55,494 -Was it slippery? -A little slippery. 229 00:29:55,527 --> 00:29:58,030 -You would never have known. -You had such poise. 230 00:29:58,064 --> 00:30:00,066 -Is this your sister? -No, this is my mother. 231 00:30:00,099 --> 00:30:01,500 Oh, your mother? 232 00:30:01,533 --> 00:30:04,403 -I can't believe this. -Thank you for your genius. 233 00:30:04,436 --> 00:30:07,106 Well, you look so beautiful. I can see the resemblance. 234 00:30:07,139 --> 00:30:09,408 -This is your father too. -This is my stepfather. 235 00:30:09,441 --> 00:30:11,844 -I see the resemblance. -I'm the father. 236 00:30:11,878 --> 00:30:14,947 Of course you are, how are you? 237 00:30:14,981 --> 00:30:16,482 And you are? -Ginger. 238 00:30:16,515 --> 00:30:19,051 Ginger? As in Ginger Rogers. 239 00:30:19,085 --> 00:30:21,520 She wasn't so bad, was she? 240 00:30:21,553 --> 00:30:23,622 -Enjoy yourselves at the party. -Thank you, we will. 241 00:30:23,655 --> 00:30:26,158 -Very nice to see you. -Thank you. Mr. A. 242 00:30:35,567 --> 00:30:36,903 To Justin. 243 00:30:40,139 --> 00:30:44,110 Mr. A wants to do the ballet. But I talked to Harriet the other day, 244 00:30:44,143 --> 00:30:46,245 She said if I take it to Tucker he'd say no. 245 00:30:46,278 --> 00:30:49,148 -Eldridge Wright. -Oh, my god. How are you? 246 00:30:49,181 --> 00:30:53,953 -Can I get a glass of champagne? -How you doing? 247 00:30:53,986 --> 00:30:57,589 -I'm good, how you doing? -Pretty good, you did good tonight. 248 00:30:57,623 --> 00:31:00,192 -Thanks. -So how'd you feel about it? 249 00:31:01,493 --> 00:31:05,097 -I felt good about it. -Yeah? Good. 250 00:31:05,131 --> 00:31:07,133 Did Noel like it? 251 00:31:07,166 --> 00:31:10,369 -Do you Lar? -I know Lar, he was the choreographer. 252 00:31:10,402 --> 00:31:12,038 You know honesty, I didn't appreciate being 253 00:31:12,071 --> 00:31:14,640 the last one in the company to find out about you guys. 254 00:31:14,673 --> 00:31:17,944 -That wasn't cool. -You and I know what it was. 255 00:31:17,977 --> 00:31:21,447 Apparently you did, I didn't. Any way have a good night. 256 00:31:24,984 --> 00:31:27,386 -I'll call you. Alright, good. -Yes. 257 00:31:27,419 --> 00:31:29,355 Mr. A? 258 00:31:29,388 --> 00:31:32,491 Can I talk to you about Justin for a second? 259 00:31:32,524 --> 00:31:35,995 -Wait a minute. -There is a problem with the ballet masters... 260 00:31:36,028 --> 00:31:40,666 The protocol is this, you call the company, you talk to Edouard, 261 00:31:40,699 --> 00:31:43,135 -and you make an appointment. -I understand. 262 00:31:43,169 --> 00:31:47,573 Thank you. All the best to you. 263 00:31:47,606 --> 00:31:51,910 Honestly people are so rude. It's just too much really. 264 00:32:13,299 --> 00:32:14,300 (MUSIC PLAYING) 265 00:34:09,448 --> 00:34:10,716 (MUSIC STOPS) 266 00:34:24,296 --> 00:34:26,565 Wait a minute you guys, I want to confirm something, 267 00:34:26,598 --> 00:34:29,101 Maia and Suzanne are in every single ballet... 268 00:34:29,135 --> 00:34:32,104 -Do they have covers? -Yeah we've taken care of that. 269 00:34:32,138 --> 00:34:34,473 Can we have a drop-dead date so I can tell wardrobe? 270 00:34:34,506 --> 00:34:37,143 The dancers must know the cast one week in advance. 271 00:34:37,176 --> 00:34:38,410 And they always do. 272 00:34:38,444 --> 00:34:41,380 -Are you guys finished up? -You've almost done. 273 00:34:41,413 --> 00:34:44,316 -Not really. -Good, because I think you've finished your meeting. 274 00:34:44,350 --> 00:34:45,317 Yes sir. 275 00:34:49,455 --> 00:34:53,159 Mark? Would you mind staying. Char would you mind, darling? 276 00:34:53,192 --> 00:34:57,696 And Harriet you stay too. Robert, is this going to be ok? 277 00:34:57,729 --> 00:35:01,400 My sketches are pretty big. We might need a bit more room. 278 00:35:01,433 --> 00:35:02,768 We could use the conference table. 279 00:35:02,801 --> 00:35:06,238 Can you move that crap off, get rid of those donuts or those bagels. 280 00:35:06,272 --> 00:35:07,873 Whatever they are. Good, good. 281 00:35:10,876 --> 00:35:14,280 So we start with a giant snake, a giant puppet. 282 00:35:14,313 --> 00:35:16,215 Susie, What are you doing here? Out, out! 283 00:35:18,184 --> 00:35:19,618 That's beautiful. 284 00:35:19,651 --> 00:35:22,654 So we start with a giant snake on stage. 285 00:35:22,688 --> 00:35:27,393 It's just floating, glowing blue in a void of black. 286 00:35:27,426 --> 00:35:28,794 How many dancers? 287 00:35:28,827 --> 00:35:31,230 There's about twenty dancers, we don't see them, 288 00:35:31,263 --> 00:35:32,231 But to make it really smooth. 289 00:35:32,264 --> 00:35:35,334 -Can you do it with ten? -No, we couldn't do it. 290 00:35:35,367 --> 00:35:38,537 -Could we cut the tail off? -Maybe. Yeah. 291 00:35:38,570 --> 00:35:42,308 Then from the snake flowing like that the black curtain goes up... 292 00:35:42,341 --> 00:35:47,513 it reveals the blue snake and it has the Shiva characters, 293 00:35:47,546 --> 00:35:49,948 of the cosmic dancer, the storyteller. 294 00:35:49,981 --> 00:35:52,551 -What's the ballet called? -Blue snake. 295 00:35:52,584 --> 00:35:55,787 The snake representing the spine. 296 00:35:55,821 --> 00:35:58,690 The blue is the shakti, the energy in the spine. 297 00:35:58,724 --> 00:36:02,528 Robert, I don't think you understand our financial situation here. 298 00:36:02,561 --> 00:36:05,764 I'm working with mirrors as it is. 299 00:36:05,797 --> 00:36:09,568 I can tell you one thing, this piece will be fantastic on this company. 300 00:36:09,601 --> 00:36:11,537 I believe you. That's why you're here. 301 00:36:11,570 --> 00:36:13,939 Thank you. 302 00:36:13,972 --> 00:36:15,641 I mean, I'm going to have to find someone to underwrite this whole thing, 303 00:36:15,674 --> 00:36:18,344 -I hear you. -It's going to be so expensive. 304 00:36:18,377 --> 00:36:22,514 I'm going to have to sell it to the board. Excuse me, what? 305 00:36:25,917 --> 00:36:27,986 Would you excuse me? I've got an important thing. 306 00:36:28,019 --> 00:36:31,590 -I can continue with the staff. -Let me just tell you, 307 00:36:31,623 --> 00:36:35,461 You are a genius. I'm never wrong about these things, am I? 308 00:36:35,494 --> 00:36:37,929 -He never appears to be. -Ok. Thank you. 309 00:36:37,963 --> 00:36:38,897 Thank you very much. 310 00:36:38,930 --> 00:36:42,368 -Oh, Robert? -Yes? 311 00:36:42,401 --> 00:36:45,871 Three things to remember, budget, budget, budget. 312 00:36:45,904 --> 00:36:49,308 I will do my best, thank you, 313 00:36:49,341 --> 00:36:53,779 -When we'll get the music? -The music is being written now. 314 00:36:53,812 --> 00:36:56,482 -Well then for rehearsals? -There is no music. 315 00:36:57,048 --> 00:36:58,950 Counts? 316 00:36:58,984 --> 00:37:02,388 No counts. I like the dancers to feel their own rhythm, 317 00:37:02,421 --> 00:37:03,889 and then the music can come in. 318 00:37:05,357 --> 00:37:08,427 It will be a new experience. 319 00:37:08,460 --> 00:37:10,629 That's not good, out of a straw. 320 00:37:14,400 --> 00:37:15,667 Oh well, moving right along. 321 00:37:20,806 --> 00:37:22,774 We can pass it around. 322 00:37:40,359 --> 00:37:41,527 Who threw this penis at me? 323 00:37:49,568 --> 00:37:51,537 I think this is more you, Missy. 324 00:37:55,341 --> 00:37:56,475 I think that's more your style. 325 00:38:01,447 --> 00:38:05,317 We got a salmon position 1, beef position 3, table 22. 326 00:38:07,386 --> 00:38:08,720 Sorry. 327 00:38:08,754 --> 00:38:10,622 -Are you a dancer? -Yeah. 328 00:38:10,656 --> 00:38:11,890 Thank you. 329 00:38:16,928 --> 00:38:17,996 Got it. 330 00:38:23,469 --> 00:38:24,936 Oh, John. 331 00:38:26,004 --> 00:38:28,006 What are doing here? 332 00:38:28,039 --> 00:38:31,076 Actually I was hoping if you had any room, 333 00:38:31,109 --> 00:38:34,513 I could stay here just for a little bit, a couple of days. 334 00:38:34,546 --> 00:38:35,914 God, I am like booked. 335 00:38:35,947 --> 00:38:38,016 You could put me on the floor. I've got my sleeping bag. 336 00:38:38,049 --> 00:38:41,820 -Just for a couple of days. -Alright, come on in. 337 00:38:41,853 --> 00:38:45,824 -Thanks a lot. -Just for a couple of days. 338 00:38:45,857 --> 00:38:48,694 What's going on? I thought you were staying with your family. 339 00:38:48,727 --> 00:38:50,696 I was staying with my aunt and... 340 00:38:50,729 --> 00:38:53,932 I think she committed suicide. 341 00:38:53,965 --> 00:38:57,436 Yeah it was her thing, So I can't stay there anymore. 342 00:39:00,972 --> 00:39:02,874 Can I use your pen? Thanks 343 00:39:02,908 --> 00:39:05,010 -God. I'm sorry. -Yeah. 344 00:39:05,043 --> 00:39:07,813 $8.50 a day, just for a couple of days. 345 00:39:07,846 --> 00:39:09,681 Just for a couple of days. Definitely. 346 00:39:12,751 --> 00:39:17,155 God, I'm so sorry. What's happened? Did she shoot herself? 347 00:39:17,188 --> 00:39:22,661 No, it wasn't that dramatic. She took some pills. 348 00:39:22,694 --> 00:39:24,763 I don't know, she was a little crazy. She was very eccentric. 349 00:39:28,500 --> 00:39:31,570 -So yeah, just a couple of days? -Yeah, just a couple of days. 350 00:39:31,603 --> 00:39:33,539 -You're last in line for the bathroom. -Right. 351 00:39:33,572 --> 00:39:36,174 Five, six, seven, eight. 352 00:39:36,207 --> 00:39:41,980 and one, two, three, four, five, six, seven, eight, 353 00:39:42,013 --> 00:39:44,816 two, two, three, four stretch, 354 00:39:44,850 --> 00:39:47,185 five, six, step, step 355 00:39:47,218 --> 00:39:50,622 three, two, three, four, five, 356 00:39:50,656 --> 00:39:52,991 six, seven, eight, and four, 357 00:39:53,024 --> 00:39:56,795 two, three, five, six, 358 00:39:56,828 --> 00:39:58,997 seven, eight and one. 359 00:39:59,030 --> 00:40:01,166 And cross the fifths. And... 360 00:40:03,735 --> 00:40:06,004 two, three, two up three, 361 00:40:08,907 --> 00:40:11,076 three, five... 362 00:40:13,845 --> 00:40:16,948 That's it, long arms. Shoulders down, ladies. 363 00:40:19,485 --> 00:40:22,754 Lots of bourres. Shoulders down. 364 00:40:22,788 --> 00:40:25,624 Big arch. 365 00:40:25,657 --> 00:40:30,061 Hold, two, three, two... 366 00:40:30,095 --> 00:40:32,564 I got to say something here. Mark, turn off the music. 367 00:40:32,598 --> 00:40:35,801 Why do you always do this, babies? 368 00:40:35,834 --> 00:40:40,672 You always get phony on me. I don't know why you do that. 369 00:40:40,706 --> 00:40:45,210 This is supposed to the 60's. This is what the '60s were all about. 370 00:40:45,243 --> 00:40:50,048 Kids protesting against the war trying to change the world, 371 00:40:50,081 --> 00:40:55,787 so they bent the rules, turned to drugs, took off their clothes. 372 00:40:55,821 --> 00:41:00,892 They made a noise. Peace marches, singing their songs in the streets... 373 00:41:00,926 --> 00:41:04,262 carrying flowers when they were being beaten and pushed around. 374 00:41:04,295 --> 00:41:07,132 All that went into this ballet. 375 00:41:09,100 --> 00:41:12,170 You see, it's not the steps, babies. 376 00:41:12,203 --> 00:41:14,606 It's what's inside that counts. 377 00:41:15,874 --> 00:41:20,245 That's when you really begin to soar. 378 00:41:20,278 --> 00:41:23,782 Thinking the movement is not becoming the movement. 379 00:41:24,550 --> 00:41:25,617 (MUSIC PLAYING) 380 00:42:58,777 --> 00:43:02,848 Listen up company. Hello? Is this on? Is it on? 381 00:43:02,881 --> 00:43:06,718 Have a great lay-off. It was a wonderful show tonight. 382 00:43:06,752 --> 00:43:12,223 And don't forget, practice safe sex. Safe sex, babies. 383 00:43:12,257 --> 00:43:18,063 And remember, fish, broccoli, salad. No more chili con carne. 384 00:43:18,096 --> 00:43:19,597 Have a great break. 385 00:43:22,367 --> 00:43:26,304 Your grandmother got this when she was 10 years old. 386 00:43:26,337 --> 00:43:30,809 She wanted so much to be a ballerina. 387 00:43:30,842 --> 00:43:38,116 It breaks my heart she's not here, Loretta, she'd be so proud of you. 388 00:43:38,149 --> 00:43:42,721 I want you to talk to Mr. A. To make good his promise. Okay? 389 00:43:42,754 --> 00:43:47,125 And say, hey Mr. A let's make good on your word, 390 00:43:47,158 --> 00:43:49,661 you know about the ballet you were gonna create for me. 391 00:43:49,695 --> 00:43:52,898 I know you wouldn't do it that way, and it won't be right, that you did. 392 00:43:52,931 --> 00:43:54,632 You know, totally vulgar. But still... 393 00:43:56,267 --> 00:43:59,437 Remember that evening at that wonderful party? 394 00:43:59,470 --> 00:44:03,174 He dazzled us all, with his promise of building a ballet for you, 395 00:44:03,208 --> 00:44:04,876 in honour of you, 396 00:44:04,910 --> 00:44:07,078 Where the hell is he? 397 00:44:07,112 --> 00:44:10,849 -Honey, do you have any wine? -In the fridge. 398 00:44:10,882 --> 00:44:15,887 The fridge? I don't really feel like white wine. 399 00:44:15,921 --> 00:44:20,992 I love that you have red wine in the fridge just like your mother. 400 00:44:21,026 --> 00:44:24,462 Now look, let's get down here to brass tacks. Loretta? 401 00:44:24,495 --> 00:44:28,934 -Mom? -Darling, it's time. 402 00:44:28,967 --> 00:44:31,269 I went to see Aunt Vynette today in the hospital. 403 00:44:31,302 --> 00:44:34,239 -How is she? -She's sad, diminished. 404 00:44:34,272 --> 00:44:38,376 -I'm here to tell you, I love your wig. -Thank you. 405 00:44:38,409 --> 00:44:39,711 Life is short. 406 00:44:42,513 --> 00:44:46,284 And it's time for you now. You've been featured... 407 00:44:46,317 --> 00:44:48,987 you've been acknowledged, your colleagues are wonderful... 408 00:44:49,020 --> 00:44:50,822 Mom, I'm going to be late, I got to get going. 409 00:44:50,856 --> 00:44:53,725 Oh, my God, those shoes, honey, those are dangerous. 410 00:44:53,759 --> 00:44:56,895 -No they're not. They're fine. -You could break your neck in those. 411 00:44:56,928 --> 00:45:00,465 -They're fine, Mom. -Honestly. You have to go. 412 00:45:03,468 --> 00:45:06,471 -This is yummy. -Good. Coat. 413 00:45:06,504 --> 00:45:09,107 I'm going back to the hospital. This suit cheered her up. 414 00:45:09,140 --> 00:45:13,311 -Give her my love. -I'll give it, and I love you. 415 00:45:13,344 --> 00:45:16,882 -You don't need this. -I push you because you're modest. 416 00:45:16,915 --> 00:45:21,419 -Your demur quality is enchanting, and your sexy. -Let's get going. 417 00:45:21,452 --> 00:45:24,122 You look very sexy right now. I'm worried about you. 418 00:45:24,155 --> 00:45:26,491 -It's fine. -Talk to Mr. A. 419 00:45:26,524 --> 00:45:30,261 Bring out his appeal to his Svengali instincts. 420 00:45:34,532 --> 00:45:36,434 Hey Dwayne. I'm in trouble huh? 421 00:45:50,215 --> 00:45:52,017 Can I get a Jack and Coke and a screwdriver? 422 00:45:56,021 --> 00:45:59,925 -I thought I'd pluck up the guts, and just do it. -So you did it? 423 00:45:59,958 --> 00:46:02,060 -Yeah. -I'll be back. 424 00:46:02,093 --> 00:46:03,895 I did it. I got the balls up and I did it. 425 00:46:29,888 --> 00:46:31,556 -Do you have a condom? -No. 426 00:46:46,271 --> 00:46:49,007 Sorry to wake you. Do you have an extra condom? 427 00:46:49,040 --> 00:46:50,808 -What? -Do you have an extra rubber? 428 00:46:52,410 --> 00:46:53,945 Yeah. 429 00:46:59,450 --> 00:47:03,254 Just one is fine. Thanks. Don't worry about leaving. 430 00:47:03,288 --> 00:47:05,556 -Just stay as long as you want. -Yeah. Thanks. 431 00:47:11,897 --> 00:47:15,066 Now I'm not going to stand here and go on about our next recipient. 432 00:47:15,100 --> 00:47:17,035 There simply aren't enough words. 433 00:47:17,068 --> 00:47:21,406 But suffice it to say, that his work stands for itself... 434 00:47:21,439 --> 00:47:26,878 that his life has been a source of inspiration to Italian Americans everywhere. 435 00:47:26,912 --> 00:47:30,081 So please join me in welcoming... 436 00:47:30,115 --> 00:47:33,418 the Artistic Director of the Joffrey Ballet of Chicago... 437 00:47:33,451 --> 00:47:35,553 Mr. Alberto Antonelli. 438 00:47:35,586 --> 00:47:36,888 (ALL APPLAUDING) 439 00:47:45,596 --> 00:47:46,631 Thank you. 440 00:47:48,566 --> 00:47:50,969 Thank you. Please sit down. 441 00:47:53,471 --> 00:47:55,974 You know, I really deserve this thing. 442 00:47:58,643 --> 00:48:04,249 Because you Italian guys made it hard for me to be a dancer. 443 00:48:04,282 --> 00:48:06,684 You know, you didn't help one iota. 444 00:48:06,717 --> 00:48:11,923 In fact, I had to hide my ballet shoes. 445 00:48:11,957 --> 00:48:15,893 And my Italian family, they gave me such a hard time. 446 00:48:18,329 --> 00:48:21,599 Listen, if your boys want to be dancers, 447 00:48:21,632 --> 00:48:24,402 please don't give them a hard time. 448 00:48:26,471 --> 00:48:28,673 That would really be a special award to me. 449 00:50:26,524 --> 00:50:27,658 * Photographable 450 00:50:30,195 --> 00:50:32,363 * But you're my favorite work of all 451 00:50:41,639 --> 00:50:44,075 * Cause your mouth's a little weak 452 00:50:45,476 --> 00:50:48,213 * When you open it'll speak 453 00:50:57,188 --> 00:50:59,157 * Don't change your hair for me 454 00:51:01,359 --> 00:51:03,161 * Not if you care for me 455 00:51:05,463 --> 00:51:07,632 * Stay little valentine 456 00:52:09,427 --> 00:52:12,129 -You better let me do that. -Really? 457 00:52:14,199 --> 00:52:17,235 -Yeah. -It's probably a good idea. 458 00:52:18,703 --> 00:52:20,305 Do you have a pan? 459 00:52:28,313 --> 00:52:31,249 -I can make toast too. -Toast is good. 460 00:52:45,230 --> 00:52:49,700 -What do you like in your eggs? -I don't know, anything. 461 00:52:49,734 --> 00:52:52,603 -What do you got? -Not much. Let me see... 462 00:52:55,640 --> 00:52:59,710 -Two tomatoes. -Tomatoes are good. 463 00:52:59,744 --> 00:53:02,380 -I have pepper. You want pepper? -Peppers... 464 00:53:06,717 --> 00:53:10,388 -Do you have onions? -No, but I have onion salt. 465 00:53:11,356 --> 00:53:13,224 No, that's ok. 466 00:53:47,392 --> 00:53:49,360 -Can you close the door. -Sure. 467 00:53:50,395 --> 00:53:51,729 Hi, gang. 468 00:53:51,762 --> 00:53:55,466 So, great we're finally starting Blue Snake rehearsals. 469 00:53:55,500 --> 00:53:56,701 I love it. 470 00:53:56,734 --> 00:54:02,707 I just wanted to tell you a little bit more about the piece. 471 00:54:02,740 --> 00:54:05,943 We haven't had a chance to talk about it so much... 472 00:54:05,976 --> 00:54:08,413 so, here we are at the beginning... 473 00:54:11,316 --> 00:54:15,920 -What's happening? -That's Mr. A's chair. 474 00:54:15,953 --> 00:54:22,527 Oh, la chaise du maitre. Je m'excuse. This one will do fine. 475 00:54:22,560 --> 00:54:26,564 At the beginning of the piece we've got the storyteller... 476 00:54:26,597 --> 00:54:31,336 and the whole piece is like stepping into a children's book. 477 00:54:31,369 --> 00:54:36,073 So instead of opening the book once he's done his opening solo, 478 00:54:36,106 --> 00:54:40,311 the overture, the mouth of the snake opens and the piece starts. 479 00:54:40,345 --> 00:54:41,946 The first section is, 480 00:54:41,979 --> 00:54:45,049 we have the zebra characters, they are in black and white, 481 00:54:45,082 --> 00:54:48,819 sort of representing the dualism of the world that we live in. 482 00:54:48,853 --> 00:54:51,389 And they come out like children holding hands, 483 00:54:52,089 --> 00:54:54,992 and do a circle dance. 484 00:54:55,025 --> 00:55:00,498 We enter into section two, the mouth of the snake reopens... 485 00:55:00,531 --> 00:55:04,702 we're into the red section, the monkeys are coming out. 486 00:55:04,735 --> 00:55:07,905 The whole piece is done sort of in primal colors. 487 00:55:07,938 --> 00:55:12,743 It's all very kind of fun and very colorful. 488 00:55:12,777 --> 00:55:16,080 And we go through a solo for a female balloon head, 489 00:55:16,113 --> 00:55:19,417 expressing sort of again the joy of the child, 490 00:55:19,450 --> 00:55:24,455 and eventually we come to this finale which has the giant. 491 00:55:24,489 --> 00:55:26,657 Ry, you still have a way to go with your line. 492 00:55:26,691 --> 00:55:29,894 And you also need to work on your allegro, especially Mr. A's allegro. 493 00:55:29,927 --> 00:55:32,563 I love allegro. 494 00:55:32,597 --> 00:55:35,900 If you can dance allegro, you can dance anything. 495 00:55:35,933 --> 00:55:38,936 If you're an allegro dancer, there's nothing you can't do. 496 00:55:38,969 --> 00:55:42,607 I mean I know you've got the, what I call "Ballet Dancers" 497 00:55:42,640 --> 00:55:45,510 They're in love with the lyricism and all that. 498 00:55:45,543 --> 00:55:48,746 But you know what I call them? Phony ballet. I hate it. 499 00:55:53,150 --> 00:55:55,586 I fight with these guys all the time. 500 00:55:55,620 --> 00:55:58,756 I wanted you. I wanted Ry for Snow pas, right? 501 00:55:58,789 --> 00:56:00,491 Yes you did. 502 00:56:00,525 --> 00:56:03,928 -You went out and she aced it, didn't see? -Yes she did. 503 00:56:03,961 --> 00:56:06,831 Mark didn't want her for Nellie Ely. 504 00:56:06,864 --> 00:56:09,700 Then he saw her in rehearsals. She was fantastic. 505 00:56:09,734 --> 00:56:11,902 I know where of I speak. 506 00:56:12,870 --> 00:56:14,739 Edouard, yes? 507 00:56:14,772 --> 00:56:17,575 -Mayor's office in 20 minutes. -I'll be right there. 508 00:56:19,810 --> 00:56:22,179 No, I can't right now. I'm late for the mayor. 509 00:56:22,212 --> 00:56:23,481 He's always late. 510 00:56:23,514 --> 00:56:25,916 (SOFT MUSIC PLAYING) 511 00:56:44,935 --> 00:56:47,538 -(SCREAMS) -(BOTH LAUGHING) 512 00:56:47,572 --> 00:56:51,476 -You scared me. Hi. -Hi. 513 00:56:51,509 --> 00:56:54,945 -How'd you get in here? -Oh, you know you gave me a key. 514 00:56:54,979 --> 00:56:56,814 Oh, right. 515 00:56:58,516 --> 00:57:01,552 -How are you? -I'm good... 516 00:57:01,586 --> 00:57:04,589 -I think I need a bath though. -No, I don't think so. 517 00:57:04,622 --> 00:57:05,890 -I'm really dirty. -No, I don't think so. No! 518 00:57:05,923 --> 00:57:09,494 Get out! Go. I'll be out in a minute. (LAUGHS) 519 00:57:30,648 --> 00:57:31,448 Jesus. 520 00:57:37,221 --> 00:57:39,524 (SIGHS) 521 00:57:44,662 --> 00:57:47,498 -What are you watching? -I don't know. I found it up there. 522 00:57:47,532 --> 00:57:51,769 -No. You can't watch this. -What is this? 523 00:57:51,802 --> 00:57:56,240 Me, when I was little, being a geek. (SIGHS) Want a beer? 524 00:57:56,273 --> 00:57:59,243 No that's okay. I got some. This is fascinating. 525 00:58:02,747 --> 00:58:04,649 So work was good? 526 00:58:04,682 --> 00:58:07,117 Oh, oh yeah. You know... 527 00:58:09,286 --> 00:58:10,555 (CHUCKLES) 528 00:58:11,556 --> 00:58:12,590 Oh. 529 00:58:14,792 --> 00:58:18,162 -I missed you today. -Well, I missed you. 530 00:58:18,195 --> 00:58:21,131 -I can't believe you're watching this. -It's great. 531 00:58:21,165 --> 00:58:23,934 -It's humiliating. -Which one is you. Right? 532 00:58:23,968 --> 00:58:26,070 Oh yeah, on the left there. 533 00:58:26,103 --> 00:58:27,972 -Mmm-Hmm. -Aw. 534 00:58:28,005 --> 00:58:31,008 RY: The far too enthusiastic one. Horrible. 535 00:58:32,810 --> 00:58:34,211 JOSH: Cute. RY: Yeah. 536 00:58:34,244 --> 00:58:38,182 (RY LAUGHS) 537 00:58:38,215 --> 00:58:41,586 -I think if I really tried -Mmm-Hmm. 538 00:58:41,619 --> 00:58:43,187 I could do some of these moves. 539 00:58:43,220 --> 00:58:44,555 -You think? -I think so. 540 00:58:44,589 --> 00:58:46,056 I bet you could. 541 00:58:48,158 --> 00:58:50,961 Aha. Very good. (LAUGHS) 542 00:58:54,665 --> 00:58:55,866 (RY CHUCKLES) 543 00:58:55,900 --> 00:58:58,202 (DANCE MUSIC PLAYING) 544 01:01:39,329 --> 01:01:42,499 (CHURCH BELL RINGING) 545 01:01:42,532 --> 01:01:45,702 (APPLAUSE AND CHEERING) 546 01:01:54,311 --> 01:01:56,881 (PEOPLE TALKING INDISTINCTIVELY) 547 01:01:57,347 --> 01:01:59,083 Oh my God! 548 01:02:01,886 --> 01:02:03,921 -I'm married! -Congratulations. 549 01:02:03,954 --> 01:02:05,089 Thank you. 550 01:02:08,158 --> 01:02:11,095 MAN: Michael, bend down, pick up the skirt. Pick up the baby... 551 01:02:14,031 --> 01:02:16,834 Cradle the baby. Rock. 552 01:02:16,867 --> 01:02:21,872 Put the baby down. Then start your Bourree. 553 01:02:21,906 --> 01:02:25,342 To the corner, reach. Two arms up. Two arms up Reach, reach... 554 01:02:25,375 --> 01:02:27,011 and fall. 555 01:02:27,044 --> 01:02:29,513 -(EXHALES) -Contract around. 556 01:02:29,546 --> 01:02:32,282 That's good. Stay low. Stay low. Reach back. 557 01:02:32,316 --> 01:02:34,084 Grab the skirt... 558 01:02:34,118 --> 01:02:36,186 Grab the skirt with both hands. 559 01:02:36,220 --> 01:02:37,822 Bring the skirt up to your chin. 560 01:02:37,855 --> 01:02:41,058 When you get the skirt, don't, don't touch it... 561 01:02:41,091 --> 01:02:44,061 Don't reach for it. You know, don't grab it. 562 01:02:44,094 --> 01:02:46,096 Well, how's he going to get it? 563 01:02:46,130 --> 01:02:48,565 There's 20 ways to get the material... 564 01:02:48,598 --> 01:02:51,301 I mean when you bring it round with you 565 01:02:51,335 --> 01:02:53,838 pull it to you like it's... 566 01:02:53,871 --> 01:02:55,840 -like it's a child. -But this the way you wanted him to do yesterday. 567 01:02:55,873 --> 01:02:58,843 You changed it from something else to this yesterday. 568 01:02:58,876 --> 01:03:01,278 Well, yeah that was yesterday. Now I want this. 569 01:03:01,311 --> 01:03:04,014 But you're changing it. There's no other way for him to get his skirt. 570 01:03:04,048 --> 01:03:06,583 -No. It's organic, you see. -That's not organic. 571 01:03:06,616 --> 01:03:09,219 He's down here and eventually he has to bring the skirt to this point... 572 01:03:09,253 --> 01:03:12,857 See it's organic. That's why it's so beautiful because... 573 01:03:12,890 --> 01:03:15,292 You're discovering new things in it all the time. 574 01:03:15,325 --> 01:03:17,294 You see here's the child. It's like... 575 01:03:17,327 --> 01:03:18,929 it's like... 576 01:03:18,963 --> 01:03:21,331 you're giving birth to the world. 577 01:03:21,365 --> 01:03:23,400 He's a man, he's a man. How's he going to give birth? 578 01:03:23,433 --> 01:03:24,734 There's the baby. There's the baby. 579 01:03:24,768 --> 01:03:27,537 -You go down with the baby. Pick the baby up -The baby's over here. 580 01:03:27,571 --> 01:03:29,273 -and your giving birth. -This is a different thing. 581 01:03:29,306 --> 01:03:31,608 No. No. No. You're mixing up the babies here. 582 01:03:31,641 --> 01:03:35,212 That's a different baby. Okay? This baby is a metaphor. 583 01:03:35,245 --> 01:03:37,481 -For what? -Giving birth. Huh? 584 01:03:37,514 --> 01:03:40,050 You see here. See. I like this, honey. This is good here. 585 01:03:40,084 --> 01:03:42,352 That's the exact same thing we just did. 586 01:03:42,386 --> 01:03:44,521 -What? No, No. -That's the exact same thing we just did. 587 01:03:44,554 --> 01:03:45,956 That's exactly what I told him to do. 588 01:03:45,990 --> 01:03:48,225 Are you arguing with me? 589 01:03:48,258 --> 01:03:50,094 Yeah, I'm arguing with you because we've been in here rehearsing for two hours 590 01:03:50,127 --> 01:03:51,929 trying to do something and every time you come in you change it. 591 01:03:51,962 --> 01:03:53,864 -Why? -There's no way... 592 01:03:53,898 --> 01:03:55,532 There's absolutely no way that he's ever going to be able to get this 593 01:03:55,565 --> 01:03:56,466 to learn it, if you keep changing it. 594 01:03:56,500 --> 01:03:57,968 We're done here. 595 01:03:59,403 --> 01:04:03,173 Honey, come on let's scramble some ideas. Huh? 596 01:04:03,207 --> 01:04:05,509 Instead of some asshole who contradicts me all the time. 597 01:04:05,542 --> 01:04:07,444 Whoever has heard of a man giving birth to a baby? 598 01:04:07,477 --> 01:04:09,980 Where's it going to come from? 599 01:04:10,014 --> 01:04:12,616 Okay now, I got a million ideas here for music. 600 01:04:12,649 --> 01:04:14,318 Um, Adam, Adam? 601 01:04:15,619 --> 01:04:17,154 Just go work it out with them. Okay? 602 01:04:19,323 --> 01:04:22,459 Now let's do a little, uh, maybe a little contraction. 603 01:04:22,492 --> 01:04:24,028 (VOCALIZING) 604 01:04:24,061 --> 01:04:26,363 (PIANO PLAYING) 605 01:04:29,233 --> 01:04:30,367 Travel. 606 01:04:34,939 --> 01:04:37,141 Oh she's really come on. Don't you think? 607 01:04:37,174 --> 01:04:40,610 -Good. -Well done. (APPLAUSE) 608 01:04:53,190 --> 01:04:57,161 Julianne, she's really lovely. 609 01:04:57,194 --> 01:04:59,263 But something, I don't know what it is. I can't point my finger... 610 01:04:59,296 --> 01:05:02,166 She's not quite there. 611 01:05:02,199 --> 01:05:04,668 You know what I am saying? There's something to do with the style. 612 01:05:04,701 --> 01:05:06,036 -Should we stop for a second? -Yeah. 613 01:05:06,070 --> 01:05:07,571 (CLAPS) Julianne, let's stop for a sec. 614 01:05:07,604 --> 01:05:09,706 Suzanne, would you start from the beginning? 615 01:05:09,739 --> 01:05:12,409 Just do it once. Will you? 616 01:05:12,442 --> 01:05:14,578 Julianne, that was lovely. Just watch Suzanne. 617 01:05:19,149 --> 01:05:20,951 -So Paul, from the beginning. -Fine. 618 01:05:23,220 --> 01:05:24,188 Ready? 619 01:05:25,155 --> 01:05:27,591 (PIANO PLAYING) 620 01:05:29,059 --> 01:05:32,396 See. Totally different. The height. 621 01:05:32,429 --> 01:05:35,365 -Yeah, she's got such lightness. -Yeah. 622 01:05:35,399 --> 01:05:37,534 Beautiful. 623 01:05:46,443 --> 01:05:47,978 Oh my goodness. 624 01:05:50,080 --> 01:05:52,016 Suzanne, are you alright? 625 01:05:55,219 --> 01:05:56,120 (INAUDIBLE) 626 01:05:59,389 --> 01:06:01,391 -Adam's gone to get some ice. -Ice, Ice please! 627 01:06:01,425 --> 01:06:03,560 What happened? Did you go over? 628 01:06:04,594 --> 01:06:05,395 I snapped it. 629 01:06:09,566 --> 01:06:11,568 -Adam? -What happened? 630 01:06:11,601 --> 01:06:15,205 -I snapped my tendon. -Did you come down from a jump? 631 01:06:15,239 --> 01:06:17,607 -Can you straighten your leg out? -We heard it. 632 01:06:17,641 --> 01:06:19,243 Did you hear it? 633 01:06:20,544 --> 01:06:21,345 I'm just going to do a test. 634 01:06:24,381 --> 01:06:28,018 -How sore is this back here? -Really sore? 635 01:06:28,052 --> 01:06:30,087 -She snapped her Achilles -What? 636 01:06:30,120 --> 01:06:33,023 -She snapped it. -I'll see if we can get some guys to help us. 637 01:06:33,057 --> 01:06:35,659 -It's been bothering her. -Can someone call Keith? 638 01:06:35,692 --> 01:06:38,162 -Can someone grab her phone. -We need to go on. 639 01:06:38,195 --> 01:06:39,229 All right. 640 01:06:40,430 --> 01:06:42,599 -Julianne. -Yes Mr. A. 641 01:06:42,632 --> 01:06:46,270 People, we do need to go on. Let's continue with Julianne. 642 01:06:46,303 --> 01:06:47,171 Paul, we'll go back to the solo. 643 01:06:54,744 --> 01:06:56,280 She's very good in this. 644 01:06:56,313 --> 01:06:58,215 She better be because she's dancing it tonight. 645 01:07:00,784 --> 01:07:03,420 (PIANO PLAYING) 646 01:07:47,664 --> 01:07:50,267 (APPLAUSE AND CHEERING) 647 01:08:03,913 --> 01:08:05,215 Move it back a little bit. 648 01:08:08,152 --> 01:08:09,553 All right. That's great. 649 01:08:09,586 --> 01:08:12,389 Good memory. You remember everything that we did. 650 01:08:12,422 --> 01:08:16,793 I think we need to add a circular arm right, you finish this... 651 01:08:16,826 --> 01:08:18,495 I think we should add an arm there. 652 01:08:18,528 --> 01:08:20,597 It needs like a bigger break into this... 653 01:08:20,630 --> 01:08:22,599 side motion. 654 01:08:22,632 --> 01:08:25,135 And don't be afraid to go down with your body... 655 01:08:25,169 --> 01:08:29,306 I know it's harder to shoot up the leg but it looks so much better. 656 01:08:29,339 --> 01:08:31,241 If you go down, up. 657 01:08:31,275 --> 01:08:32,876 Ok, so let's add that little phrase. 658 01:08:34,844 --> 01:08:36,112 ALL: Oh, gutter! 659 01:08:40,950 --> 01:08:44,188 Hi. How you doing? 660 01:08:44,221 --> 01:08:46,122 -Maia, Michael this is Josh. -Hi. 661 01:08:47,591 --> 01:08:48,625 -Dancers in the company. -Hi. 662 01:08:48,658 --> 01:08:49,926 Nice to meet you. (LAUGHS) 663 01:08:49,959 --> 01:08:51,195 -You having fun? -Yeah. 664 01:08:51,228 --> 01:08:52,429 Good. Good. 665 01:08:53,697 --> 01:08:55,299 Trinity. Hey. 666 01:08:57,834 --> 01:08:59,803 -You got to get going. Bowling. -Uh-Huh. 667 01:08:59,836 --> 01:09:01,305 -This is Josh. -Hi. 668 01:09:01,338 --> 01:09:02,539 One of my best friends. (LAUGHS) 669 01:09:02,572 --> 01:09:04,274 -Nice to meet you. -You too. 670 01:09:04,308 --> 01:09:05,442 -I've heard a couple things. -Okay. 671 01:09:12,282 --> 01:09:14,318 -Hi. -How you doing? 672 01:09:17,287 --> 01:09:19,223 This is Josh. 673 01:09:19,256 --> 01:09:20,424 -Hi. -Good to meet you. 674 01:09:27,597 --> 01:09:29,199 Good to meet you. Here goes. 675 01:09:29,233 --> 01:09:31,301 -I don't have bowling shoes. -Grab a ball. 676 01:09:46,450 --> 01:09:48,718 Take it from the finale please. 677 01:09:48,752 --> 01:09:50,987 We're trying some costumes for the first time. 678 01:09:51,020 --> 01:09:53,790 Try not to get distracted by that too much. 679 01:09:53,823 --> 01:09:55,792 That's our only section with counts. 680 01:09:55,825 --> 01:09:58,328 So let's stick to them. 681 01:09:58,362 --> 01:10:02,532 Ready. One, Two, Three and four. 682 01:10:02,566 --> 01:10:05,835 Five, Six, Seven, Eight. 683 01:10:05,869 --> 01:10:10,006 And One, Two, Three and four. 684 01:10:10,039 --> 01:10:13,410 Five, Six, Seven, Eight. 685 01:10:13,443 --> 01:10:18,815 And Two, Two, Three, four Five, Six. 686 01:10:18,848 --> 01:10:23,487 Okay Trinity, this is where you come in to get eaten. 687 01:10:23,520 --> 01:10:26,856 Further upstage, way, way upstage. That's it guys. 688 01:10:26,890 --> 01:10:28,358 Stay downstage. Stay downstage. 689 01:10:28,392 --> 01:10:30,727 I'll be changing that, Stacey. 690 01:10:30,760 --> 01:10:33,397 I've got an idea for that. 691 01:10:33,430 --> 01:10:35,899 Come in closer, the four corners. 692 01:10:35,932 --> 01:10:37,367 Come in closer. That's it. 693 01:10:38,668 --> 01:10:40,036 Woman: Six, Seven. 694 01:10:40,069 --> 01:10:42,406 Alright, ok good. 695 01:10:42,439 --> 01:10:47,311 All right. We need to stop here because we've got something to organize. 696 01:10:47,344 --> 01:10:49,379 A world premiere at the Kennedy Center. 697 01:10:49,413 --> 01:10:52,416 I got to tell you, baby, that's pretty formidable. 698 01:10:52,449 --> 01:10:55,051 Babies, we need the room. Thank you. 699 01:10:55,084 --> 01:10:56,453 Well, why can't we do it at both? 700 01:10:56,486 --> 01:11:00,023 Both? Can you have two world premieres? 701 01:11:00,056 --> 01:11:02,826 Dump something else then. Dump Tensile Involvement. 702 01:11:02,859 --> 01:11:06,596 No. That's not possible. It's paid for. 703 01:11:06,630 --> 01:11:09,433 Oh, Harriet, I need to see you in a minute. 704 01:11:12,402 --> 01:11:14,338 What about this new kid then? 705 01:11:14,371 --> 01:11:16,005 He can wait until later in the season. 706 01:11:16,039 --> 01:11:19,609 Alec, are you dictating company policy to me? 707 01:11:21,611 --> 01:11:23,347 -Edouard? -Yes. 708 01:11:23,380 --> 01:11:25,782 -Edouard, do you have it? -Yes. 709 01:11:25,815 --> 01:11:28,618 -Is it hot? -Yes. Careful. 710 01:11:28,652 --> 01:11:31,054 It's a brilliant ballet, that's what you said, not me. 711 01:11:31,087 --> 01:11:33,657 You know baby, you have to learn to trust me. 712 01:11:33,690 --> 01:11:36,493 You know, we've laid out a great season for you. 713 01:11:36,526 --> 01:11:38,962 And what's good for you is what's good for the company. 714 01:11:38,995 --> 01:11:41,398 In this conversation what's good for me 715 01:11:41,431 --> 01:11:42,932 is what's good for me. 716 01:11:46,603 --> 01:11:48,605 How long have you been with the company, Alec? 717 01:11:50,807 --> 01:11:52,542 I hope not too long. 718 01:11:52,576 --> 01:11:55,379 I hope not too. 719 01:11:55,412 --> 01:11:57,381 -Are we threatening each other? -No, No, No. 720 01:11:58,114 --> 01:11:59,983 I don't make threats. 721 01:12:00,016 --> 01:12:01,985 You wouldn't have bumped Eddie Steirle. 722 01:12:02,018 --> 01:12:04,721 Well, you're no Eddie Steirle. 723 01:12:04,754 --> 01:12:08,425 Eddie Steirle was the future. 724 01:12:08,458 --> 01:12:11,428 -At 23? -Oh yes. Yes. At 16! 725 01:12:11,461 --> 01:12:13,497 He was remarkable. 726 01:12:13,530 --> 01:12:16,366 Such a terrible disease. So many losses. Bob... 727 01:12:18,502 --> 01:12:21,571 Greg Huffman, beautiful. 728 01:12:21,605 --> 01:12:24,541 Glen White. Jim Howell. 729 01:12:27,711 --> 01:12:30,747 The only thing a person can leave behind on this earth is the light of himself. 730 01:12:32,582 --> 01:12:34,684 I have hopes for you, Alec. 731 01:12:34,718 --> 01:12:37,387 Don't throw out the baby with the bath water. 732 01:12:37,921 --> 01:12:40,690 (MUSIC PLAYING) 733 01:14:04,574 --> 01:14:06,209 (MERRY CHRISTMAS PLAYING) 734 01:14:07,911 --> 01:14:12,482 Ho, Ho, Ho. Merry Christmas. (APPLAUSE AND CHEERING) 735 01:14:26,896 --> 01:14:29,098 (FEET TAPPING) 736 01:14:36,239 --> 01:14:38,775 (AUDIENCE CHEERING) 737 01:14:38,808 --> 01:14:40,243 Welcome to the Christmas roast. 738 01:14:48,217 --> 01:14:49,519 Hey kiddo, how are you? 739 01:14:53,156 --> 01:14:55,058 -What's this? -Just the roast. 740 01:14:56,993 --> 01:14:58,895 -Are you going to perform? -No, no. Just watching. 741 01:15:08,705 --> 01:15:12,275 -That's all really silly. -That's what it's supposed to be. 742 01:15:12,308 --> 01:15:15,011 It's getting late. Come on Justin, you got to get your rest. 743 01:15:15,044 --> 01:15:20,083 On behalf of Mr. Antonelli and the entire administrative and janitorial staff, 744 01:15:20,116 --> 01:15:24,187 we would like to welcome you to fifth annual company Christmas Roast. 745 01:15:24,220 --> 01:15:25,955 And now it gives me great pleasure to introduce 746 01:15:25,989 --> 01:15:28,057 you to my personal hero, Mr. Antonelli. 747 01:15:39,068 --> 01:15:41,971 Ok company, let's take it from the embrace. 748 01:15:53,950 --> 01:15:57,153 Excuse me. Sorry. Sorry. 749 01:16:03,159 --> 01:16:05,128 (ALL LAUGHING) 750 01:16:05,161 --> 01:16:07,163 Hold it, company. Hold it. 751 01:16:07,196 --> 01:16:08,665 Hold it. 752 01:16:09,833 --> 01:16:15,171 It's too pretty. I don't like pretty. 753 01:16:15,204 --> 01:16:20,009 You see, this ballet was born in the 60's. 754 01:16:20,043 --> 01:16:24,313 In the 60's people were smoking pot, having sex... 755 01:16:24,347 --> 01:16:26,783 burning bras, dropping acid. 756 01:16:26,816 --> 01:16:30,119 That's what this ballet is all about. 757 01:16:30,153 --> 01:16:32,689 -Hi, Frankie. -Hello... 758 01:16:32,722 --> 01:16:34,123 What have you been up to? 759 01:16:34,157 --> 01:16:36,626 -Merry Christmas. -Merry Christmas to you. 760 01:16:36,660 --> 01:16:40,363 You know what that means, Broccoli, fish and salad. And more sex. 761 01:16:40,396 --> 01:16:41,865 My skit's up next. 762 01:16:45,735 --> 01:16:50,306 A little closer together and Colton with Sam maybe... 763 01:16:50,339 --> 01:16:52,776 No, that's not pretty. 764 01:16:52,809 --> 01:16:56,279 Mr. A, Robert Desrosiers. 765 01:16:57,914 --> 01:17:02,018 Company, company, I have a very special guess. 766 01:17:02,051 --> 01:17:04,387 A very talented choreographer from Canada, 767 01:17:04,420 --> 01:17:08,224 monsieur, Robert Desrosiers. 768 01:17:18,167 --> 01:17:21,070 Well, I just wanted to talk a little bit about my ballet that I am going to be doing... 769 01:17:21,104 --> 01:17:23,840 It's sort of like a storybook. 770 01:17:23,873 --> 01:17:27,877 And instead of a storybook opening the hippo's mouth will open... 771 01:17:27,911 --> 01:17:30,013 you see, the name of the ballet is called Hungry Hippos. 772 01:17:30,046 --> 01:17:31,781 (ALL LAUGHING) 773 01:17:32,782 --> 01:17:36,052 And then the piece ends up, 774 01:17:36,085 --> 01:17:40,289 with sort of like this huge frog in the background 775 01:17:40,323 --> 01:17:42,692 but there is a problem... 776 01:17:42,726 --> 01:17:44,227 -A little problem. -What problem? 777 01:17:44,260 --> 01:17:45,729 The frog likes to eat dancers. 778 01:17:47,263 --> 01:17:48,464 Is really great. Yes. 779 01:17:48,497 --> 01:17:50,466 Do we wear Pointe shoes? 780 01:17:50,499 --> 01:17:54,103 Actually, you wear sort of like a Pointe shoe with a heel. 781 01:17:54,137 --> 01:17:57,240 So that you can walk around and then jump onto Pointe. 782 01:17:57,273 --> 01:17:59,108 We use it a lot in Canadia. It's great. 783 01:18:02,278 --> 01:18:04,380 So I think we could start. 784 01:18:04,413 --> 01:18:07,016 -Would you like to join us? -Well, shit. Okay. 785 01:18:11,755 --> 01:18:13,723 That is the spirit of the 60's. 786 01:18:23,166 --> 01:18:26,135 -What are they doing with that tape? -They're making something up. 787 01:18:50,459 --> 01:18:52,161 Thank you for inviting us to your party 788 01:18:52,195 --> 01:18:54,130 No problem. Are you having fun? 789 01:18:54,163 --> 01:18:56,265 -Having such a nice time. -Good. 790 01:19:10,814 --> 01:19:13,883 You were really cute out there. That's pretty funny. 791 01:19:13,917 --> 01:19:15,084 Thank you. (BOTH LAUGH) 792 01:19:26,529 --> 01:19:28,932 I'm going to go and change. Okay? 793 01:19:30,533 --> 01:19:31,801 -Bye honey. -Bye. 794 01:19:32,335 --> 01:19:34,370 Ry. 795 01:19:34,403 --> 01:19:36,840 -Ry! That was beautiful. -Hi. 796 01:19:38,274 --> 01:19:39,475 Take a picture with your dad. 797 01:19:53,022 --> 01:19:55,859 -How you doing there, Rick? -Great, John. How are you? 798 01:19:55,892 --> 01:19:57,827 -Is that a new boyfriend? -Hello. Oh, I wouldn't say that. 799 01:20:02,098 --> 01:20:04,400 I felt so nauseous the last time we did it. 800 01:20:04,433 --> 01:20:07,070 I took some of Dana's caplets and they helped me a little. 801 01:20:07,103 --> 01:20:08,872 Yeah they're right here. They really help. 802 01:20:08,905 --> 01:20:11,340 -I mean you don't' get tired -It's not like from Dramamine. 803 01:20:11,374 --> 01:20:12,909 My mom used to take them when she flew. 804 01:20:12,942 --> 01:20:15,178 I don't know why I am... 805 01:20:15,211 --> 01:20:17,847 -Michael, can you come and hold the rope, please? -Sure. 806 01:20:17,881 --> 01:20:20,583 And Noel? Will you start. 807 01:20:24,653 --> 01:20:26,055 Okay. 808 01:20:34,197 --> 01:20:36,299 There we go. All set. Thank you. 809 01:20:36,332 --> 01:20:38,567 -You got it? -Yeah. 810 01:20:38,601 --> 01:20:42,405 All right, here we go. And go. 811 01:20:46,109 --> 01:20:50,413 And hold your middle. Good. Very smooth... 812 01:20:51,514 --> 01:20:53,282 And... 813 01:20:53,316 --> 01:20:55,384 head, 814 01:20:55,418 --> 01:20:59,355 and arm reach up, 815 01:20:59,388 --> 01:21:02,358 feel the vastness of the big universe 816 01:21:02,391 --> 01:21:05,394 And the coupe. And the split. 817 01:21:05,428 --> 01:21:06,862 Keep the back leg up. Good. 818 01:21:07,396 --> 01:21:10,299 That's it. 819 01:21:10,333 --> 01:21:12,969 -Michael, get rid of those chairs, will you? -Yes, sir. 820 01:21:16,239 --> 01:21:17,440 Go on. 821 01:21:18,707 --> 01:21:21,477 Nope, hang on, hang on, Noel. 822 01:21:21,510 --> 01:21:23,212 -Do you want it from the beginning? -Just carry on. No, no. 823 01:21:23,246 --> 01:21:25,949 -It's fine. I'm not here. -Oh okay. 824 01:21:25,982 --> 01:21:28,584 Now let's take it from the arabesque spins. 825 01:21:30,386 --> 01:21:31,955 And hold the arms... 826 01:21:34,290 --> 01:21:36,492 Good, Good, Noel. And into the attitude 827 01:21:37,526 --> 01:21:40,363 with attitude and swastika... 828 01:21:40,396 --> 01:21:45,068 And bourres. That's it, spot, and right. 829 01:21:45,101 --> 01:21:47,670 Good Noel. Now, right into the cartwheels. 830 01:21:47,703 --> 01:21:50,339 And 831 01:21:50,373 --> 01:21:53,542 -That's it. Are you alright? -Yeah. 832 01:21:53,576 --> 01:21:56,145 Great Noel, honey. That's great. 833 01:21:56,179 --> 01:21:58,347 Dana get up there. Just show her where your hips go 834 01:21:58,381 --> 01:22:01,050 on that rope. Just show her 835 01:22:01,084 --> 01:22:04,687 Just watch this, Noel. Just watch where she puts her hips here. 836 01:22:04,720 --> 01:22:06,455 -Okay. -All right. 837 01:22:08,191 --> 01:22:11,727 You see? Keep the pike. 838 01:22:11,760 --> 01:22:12,728 -You see that? -The pike. 839 01:22:12,761 --> 01:22:15,231 Watch the right leg. Good. 840 01:22:16,365 --> 01:22:19,002 (SOFT MUSIC PLAYING) 841 01:26:07,630 --> 01:26:09,232 And keep going. 842 01:26:09,265 --> 01:26:12,601 two, three. One, two, three... 843 01:26:12,635 --> 01:26:14,637 two, two, three, 844 01:26:14,670 --> 01:26:16,705 three, two, three, four, 845 01:26:16,739 --> 01:26:18,907 four, two, three, 846 01:26:18,941 --> 01:26:21,577 one, two, three, six. 847 01:26:21,610 --> 01:26:24,213 six, two, three, seven, two 848 01:26:24,847 --> 01:26:26,349 Good! 849 01:26:27,983 --> 01:26:31,554 two, two and three.Good! 850 01:26:31,587 --> 01:26:33,856 Four, two, three 851 01:26:33,889 --> 01:26:36,959 five, two, three, six. 852 01:26:36,992 --> 01:26:38,761 Nice. Good. 853 01:26:38,794 --> 01:26:41,830 Seven, two, three and eight. 854 01:26:41,864 --> 01:26:44,567 That's a good place to stop. Let's stop there. Thanks Paul. 855 01:26:44,600 --> 01:26:46,435 -So what happened there? -Good. 856 01:26:46,469 --> 01:26:49,272 You know what, I want you to try to get her down on six... 857 01:26:49,305 --> 01:26:52,675 No, no. Five, two, on three. 858 01:26:52,708 --> 01:26:55,844 Because the next step I have to do is... 859 01:26:55,878 --> 01:26:58,414 Let's try if he puts you down on six ronde de jambe on two... 860 01:26:58,447 --> 01:27:01,384 I don't know what the guys do but all these years I've been doing five, two, three... 861 01:27:01,417 --> 01:27:03,552 That's the thing. The step's been missing all these years 862 01:27:03,586 --> 01:27:06,289 I have been looking onto the video. I'd love to put this step back in. 863 01:27:06,322 --> 01:27:08,724 But can't you put it back in before? 864 01:27:08,757 --> 01:27:10,793 Well, just try and see if we can do it on six, two, three. 865 01:27:12,761 --> 01:27:15,798 -Mr. A., you know -Edouard? Just a minute, doll. 866 01:27:20,803 --> 01:27:22,305 Okay. 867 01:27:24,573 --> 01:27:25,808 Carry on, babies. 868 01:27:28,511 --> 01:27:31,647 Good, Deborah, come on back and let's try to put you down on six. 869 01:27:31,680 --> 01:27:34,550 I've been doing this ballet for over 10 years. 870 01:27:34,583 --> 01:27:36,685 And obviously, he likes the way I do it. 871 01:27:36,719 --> 01:27:39,422 So I think the counts that I have been doing, it's sufficient. 872 01:27:39,455 --> 01:27:40,923 Happy New Year! 873 01:27:42,725 --> 01:27:44,259 Happy New Year! 874 01:27:51,367 --> 01:27:54,503 (CLUB MUSIC PLAYING) 875 01:28:09,718 --> 01:28:14,323 ALL: Five, four, two, three, one. 876 01:28:53,095 --> 01:28:55,330 (MOUTHING) 877 01:29:21,857 --> 01:29:22,991 -Good night. -Ok, good night. 878 01:29:25,561 --> 01:29:29,932 (MY FUNNY VALENTINE PLAYING) 879 01:29:42,545 --> 01:29:45,648 Hey. 880 01:29:45,681 --> 01:29:48,451 So sorry, I thought I was going to get out earlier. They wouldn't let me. 881 01:29:54,990 --> 01:29:56,091 Josh? 882 01:31:15,904 --> 01:31:19,942 Okay. Let's not take it from where you come out of the mouth of the snake... 883 01:31:19,975 --> 01:31:23,011 Let's take it from where you're circling. I'll give you a four counts, 884 01:31:25,280 --> 01:31:27,783 Five, six, seven, eight, 885 01:31:27,816 --> 01:31:30,152 One, two, three, four 886 01:31:30,185 --> 01:31:32,120 five, six, seven, eight, 887 01:31:32,154 --> 01:31:34,957 one, two, three 888 01:31:34,990 --> 01:31:37,159 Five, six, seven, eight, 889 01:31:37,192 --> 01:31:39,662 One, two, three, four, 890 01:31:39,695 --> 01:31:41,997 Five, six, seven, eight, 891 01:31:42,030 --> 01:31:43,999 Justin's not getting it. 892 01:31:44,032 --> 01:31:47,135 He's just behind all the time. He's not comfortable. 893 01:31:47,169 --> 01:31:50,038 -We could get, Michael to get in here -I'm sure Michael can do it. 894 01:31:50,072 --> 01:31:51,239 Let's stop. 895 01:31:53,776 --> 01:31:55,210 That's not bad. 896 01:31:55,243 --> 01:31:59,815 I really think that even as a group like we need to be breathing together. 897 01:31:59,848 --> 01:32:06,589 I still want to feel that pulse going through. Alright? And Justin? 898 01:32:06,622 --> 01:32:09,692 Look, we're a week away from the shows... 899 01:32:09,725 --> 01:32:13,796 and you really don't look comfortable with the movement. 900 01:32:13,829 --> 01:32:16,031 I'm going to have to replace you. 901 01:32:16,064 --> 01:32:19,768 Michael, you come in, let's take it from the top. 902 01:32:20,969 --> 01:32:23,872 Same thing. four counts lead in... 903 01:32:23,906 --> 01:32:26,074 Five, six, seven, eight. 904 01:32:26,108 --> 01:32:28,611 One, two, three, four, 905 01:32:28,644 --> 01:32:30,846 five, six, seven, eight, 906 01:32:30,879 --> 01:32:33,181 one, three, 907 01:32:33,215 --> 01:32:35,083 five, six, seven, eight. 908 01:32:35,117 --> 01:32:36,551 One, two... 909 01:32:37,620 --> 01:32:39,321 Five, six, seven. 910 01:32:39,354 --> 01:32:42,057 That's it. The energy's much better now. Keep breathing. 911 01:32:51,299 --> 01:32:53,969 Hey. 912 01:32:54,002 --> 01:32:58,641 -Justin, what's going on? -I've been fired. 913 01:32:58,674 --> 01:33:02,978 You weren't fired. Mr. Derosiers just replaced you... 914 01:33:03,011 --> 01:33:05,848 in that one section, that one part of the ballet. That's all. 915 01:33:06,649 --> 01:33:08,216 He fired me. 916 01:33:08,250 --> 01:33:11,253 The choreographer has complete artistic control, Justin. 917 01:33:11,286 --> 01:33:17,025 Mr. A couldn't change it. If Mr. Derosiers wants it, you go along with it. 918 01:33:17,059 --> 01:33:19,928 -I don't belong here. -You do belong here. 919 01:33:19,962 --> 01:33:21,897 This is not a decision. 920 01:33:21,930 --> 01:33:24,232 Mr. A's policy is not to interfere with the choreographer's wishes. 921 01:33:24,266 --> 01:33:26,769 -Come on, Justin. Let's go. -Wait Justin, you can't walk out. 922 01:33:26,802 --> 01:33:29,237 I request a formal apology in front of the entire company. 923 01:33:29,271 --> 01:33:31,006 -For what? -For abuse. 924 01:33:31,039 --> 01:33:33,008 He's treated like every other member of this company. 925 01:33:33,041 --> 01:33:34,643 We're going to file a complaint with the union. 926 01:33:39,181 --> 01:33:41,850 Good evening, ladies and gentlemen, The time is seven o'clock. 927 01:33:41,884 --> 01:33:44,219 Half hour please, half hour. 928 01:33:44,252 --> 01:33:48,390 This evening's performance will begin in one half hour. 929 01:33:48,423 --> 01:33:52,294 Anyone not directly involved in the cast or crew, in Chicago 930 01:33:52,327 --> 01:33:54,697 must leave the backstage area. 931 01:33:54,730 --> 01:33:59,034 All visitors must leave the backstage area at this time. 932 01:33:59,067 --> 01:34:02,137 Please make sure you're signed in. Half hour. 933 01:34:02,170 --> 01:34:05,340 -How many, who is... -That's really sad. 934 01:34:10,746 --> 01:34:13,081 (MUSIC PLAYING) 935 01:35:43,505 --> 01:35:45,273 MAN: Standby snake mouth opening... 936 01:37:07,222 --> 01:37:09,457 Standby snake mouth opening and smoke. 937 01:37:24,106 --> 01:37:25,607 Standby mouth closing. 938 01:38:32,074 --> 01:38:33,541 Is Ry standing by? 939 01:38:42,284 --> 01:38:43,585 Light cue 927. 940 01:38:55,163 --> 01:38:56,664 (WHISPERS) Oh my God. Look at Loretta. 941 01:39:55,090 --> 01:39:56,491 Are the plants ready? 942 01:40:31,493 --> 01:40:33,495 Light cue 930, go. 943 01:41:39,461 --> 01:41:41,196 -Is that her too? -Yeah. 944 01:42:43,925 --> 01:42:46,428 You need to cover the music. Get on stage. Do anything. 945 01:42:48,363 --> 01:42:50,164 Come on just improvise! 946 01:42:51,233 --> 01:42:53,301 Oh excuse. She fell. 947 01:42:58,773 --> 01:43:00,642 Let's get Maia 948 01:43:00,675 --> 01:43:03,211 Did it go out of the socket? She's out. 949 01:43:14,556 --> 01:43:16,258 Get Maia into her costume right away. 950 01:43:36,811 --> 01:43:38,413 Excuse me... 951 01:43:41,849 --> 01:43:44,619 We're just going to head back to the physical therapy room. 952 01:43:52,794 --> 01:43:56,331 -We're Ry's parents. -Just please wait until the show's over. 953 01:44:00,468 --> 01:44:01,936 -Hey. -Hey. 954 01:44:16,918 --> 01:44:19,321 -You seen Ry? -Yeah she's on the other side. 955 01:44:22,857 --> 01:44:24,759 Let me put a white line on you. 956 01:44:24,792 --> 01:44:26,260 Hi Josh. 957 01:44:28,730 --> 01:44:30,998 -Can I get to the other side? -Not without a costume. 958 01:44:38,005 --> 01:44:39,273 Stay in the middle. 959 01:44:51,553 --> 01:44:52,587 Are you doing ok? 960 01:44:52,620 --> 01:44:54,288 Yeah, I'll be ok. Thanks. 961 01:45:14,709 --> 01:45:17,011 And main curtain. Go. 962 01:45:43,538 --> 01:45:46,941 -There's somebody on stage. -Who is this guy? Anyone? 963 01:45:46,974 --> 01:45:48,643 -Get him off! -I have no idea. 964 01:45:53,848 --> 01:45:55,917 What are you doing? You can't go on stage. 965 01:46:01,088 --> 01:46:02,490 What did you do? 966 01:46:04,892 --> 01:46:07,429 I slipped on some lettuce and I went right into the bouillabaisse. 967 01:46:20,908 --> 01:46:22,844 Yeah, I'm ok. I fell. I don't know how. 968 01:46:24,746 --> 01:46:26,113 But I just pulled it. 969 01:47:50,698 --> 01:47:51,499 Thank you. 970 01:47:55,670 --> 01:47:56,738 Hi, Angel.